![]() The group escapes, but Corey and Shannon stay and defeat him by making him fall into a pit with a giant metal apparatus falling onto him.Īs the game progresses, Stan and Shannon eventually get closer. Shannon and Stan explore the Dam and the whole group finally reunites to find Amy in a corner of the room.Īfter locating Amy they find that this was as a result of Kenny's actions, who implied that he raped her. Stan, having responded to Kenny's call before mutating, meets with the surviving group and drives them away, until he crashes off and falls into a dam. Sven and Corey help everyone to get into a warehouse, but they are surprised by a monstrous Kenny who throws Corey into a pole and kills Mei, greatly distressing Corey. Then the whole group reunites in the hospital's east ground floor, where they make a chemical dynamite to destroy a wall and get to the parking lot. He can't find his medicine and eventually succumbs, turning into a monster. After some more walking they notice a disfigured man, fight some new monsters (Harpies) and walk through the forest to eventually end up in the "Fallcreek University Hospital", where they find Shannon and her brother Kenny, the latter of whom is badly ill due to sniffing the drug made by the black spore flower. The duo finds Corey's car, however its owner gets angry and, along with Amy, kills the now mutated thief. Meanwhile, Mei, who gets a call from her twin sister Jun, goes with Sven to rescue her, but fails as Jun is killed by a monster. Once outside, Sven is almost run over by someone driving Corey's car so Corey and Amy chase the car thief into the woods. After some time, the group is joined by Corey and Mei who try to escape. The students then meet a scientist, Richard James, who is the biology teacher of the university, who aids the player several times. Amy and Kenny are the first ones to arrive, only to find the place infected when they get inside. ![]() The outbreak starts in a fraternity party of the ΔΘГ brotherhood. The spores spread through the whole city and later the whole country. Soon enough, a small group of students, along with the Leafmore High survivors have to face a horde of mutants and try to stay alive. Stan and Kenny have to take medication to prevent the effects of the plant from infecting their bodies, while Shannon has been able to adapt to the changes.Īs the story begins, a new drug created from a strange flower is quickly spreading its influence over the University's populace. Shannon and Kenny are now enrolled in the nearby Fallcreek University, while Stan is reforming his life as a delivery truck driver. And don’t get your scrunchies in a bunch: some hair metal definitely snuck in.The story is set two years after the "Leafmore Incident" (the events of the first Obscure) The Leafmore incident has been somehow covered-up. From genre-defining works of genius to ear-worm flights of fancy, these are the best songs of the ’80s. ![]() But mostly, we curated with maximum enjoyment in mind while limiting the list to one song per artist. In compiling this list of the very best of the decade, there was a lot to consider: lasting impact, cultural relevance, actual musicianship, catchiness, coolness and, of course, nostalgia. ![]() And as the decade wore on, rap’s early ripples turned into a tsunami that changed the face of pop music forever. Electronic innovators like New Order rewrote the rules of music. New Wave stalwarts like Talking Heads and Devo found new grooves while transcendent artists like Marvin Gaye and Paul Simon offered up some of the best work of their careers. They form a big part of the joy of listening back to the decade that had a booming nostalgia industry attached practically the moment it ended.īut the ’80s was about so much more than the sum of its eccentricities: there's a huge difference between ‘an ’80s song’ and ‘a song from the ’80s.’ This is the decade that gave us peak Prince, Madonna and Michael Jackson, that launched Public Enemy and NWA upon the world. Let’s be honest: all those things did in fact happen, and for the most part they were great. The ’80s – and, by extension, ’80s songs – can sometimes be viewed as if they were all some big, fabulous kitsch experiment, in which everybody dressed up ridiculously – big hair, scrunchies, power shoulders – and all music was cartoonishly OTT, be that the daft excesses of hair metal, the stygian gloom of goth, or the bouncy good cheer of synthpop.
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